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Audrey Hepburn and Hubert de Givenchy became lifelong friends and collaborators after miscommunication on the 1954 film Sabrina brought them together. Look back at Audrey Hepburn’s classic film and on screen Givenchy looks, including her fashion and style in Breakfast At Tiffany’s, Funny Face and Sabrina. Audrey Hepburn and Hubert de Givenchy became lifelong friends and collaborators after miscommunication on the 1954 film Sabrina brought them together. Look back at Audrey Hepburn’s classic film and on screen Givenchy looks, including her fashion and style in Breakfast At Tiffany’s, Funny Face and Sabrina.
How the 1954 Audrey Hepburn film sparked a costume-design controversy — and created fashion’s most iconic designer-muse relationship.
Charade. In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is Cary Grant's suave, mysterious stranger. Throughout her life, Audrey Hepburn would continue to wear Givenchy, even when she retired from the film industry. Nevertheless, her friendship with the designer went far beyond fashion.
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Audrey Hepburn poses for a publicity still for the Paramount Pictures film “Sabrina” in 1954 in Los Angeles. Donaldson Collection/Michael Ochs Archives, via Getty Images. Share full article..
See Audrey Hepburn’s Most Iconic Givenchy Looks. In her best moments both on- and off-screen, Audrey Hepburn was wearing Givenchy. She and Hubert de Givenchy met in their mid-20s, and their friendship and professional partnership spanned 40 years. For her costumes for Sabrina, the film that made her the highest-paid actress in the world, Audrey Hepburn went to the Paris atelier of master couturier Hubert de Givenchy.How to Steal a Million is a 1966 American heist comedy film directed by William Wyler and starring Audrey Hepburn, Peter O'Toole, Eli Wallach, Hugh Griffith, and Charles Boyer. The film is set and was filmed in Paris, though the characters speak entirely in English.
Here, to commemorate Givenchy’s enduring legacy, a look back at some of the most iconic cinematic moments of Hepburn wearing Givenchy on film. 1 Audrey Hepburn in Love In the Afternoon.
Audrey Hepburn and Hubert de Givenchy became lifelong friends and collaborators after miscommunication on the 1954 film Sabrina brought them together. Look back at Audrey Hepburn’s classic film and on screen Givenchy looks, including her fashion and style in Breakfast At Tiffany’s, Funny Face and Sabrina. How the 1954 Audrey Hepburn film sparked a costume-design controversy — and created fashion’s most iconic designer-muse relationship. Charade. In this comedic thriller, a trio of crooks relentlessly pursue a young American, played by Audrey Hepburn in gorgeous Givenchy, through Paris in an attempt to recover the fortune her dead husband stole from them. The only person she can trust is Cary Grant's suave, mysterious stranger.
Throughout her life, Audrey Hepburn would continue to wear Givenchy, even when she retired from the film industry. Nevertheless, her friendship with the designer went far beyond fashion. Audrey Hepburn poses for a publicity still for the Paramount Pictures film “Sabrina” in 1954 in Los Angeles. Donaldson Collection/Michael Ochs Archives, via Getty Images. Share full article..
See Audrey Hepburn’s Most Iconic Givenchy Looks. In her best moments both on- and off-screen, Audrey Hepburn was wearing Givenchy. She and Hubert de Givenchy met in their mid-20s, and their friendship and professional partnership spanned 40 years. For her costumes for Sabrina, the film that made her the highest-paid actress in the world, Audrey Hepburn went to the Paris atelier of master couturier Hubert de Givenchy.How to Steal a Million is a 1966 American heist comedy film directed by William Wyler and starring Audrey Hepburn, Peter O'Toole, Eli Wallach, Hugh Griffith, and Charles Boyer. The film is set and was filmed in Paris, though the characters speak entirely in English.
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